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  • Hanne-Lena Wilks i kjole i reinskinnappa med fiskeskinn (steinbit).dig Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---3.jpg
  • Hanne Lena Wilks i jakke og lue i mink og reinskinn.dig Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design---19.jpg
  • Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design---18.jpg
  • Hanne-Lena Wilks i kjole i reinskinnappa med fiskeskinn (steinbit).dig Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design---17.jpg
  • kjole i reinskinnappa med fiskeskinnbesetning.Hanne-Lena Wilks.dig Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design---13.jpg
  • Hanne-Lena Wilks i egen kjole av reinskinnappa med besetning i steinbit.dig Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design---11.jpg
  • kaffeposer Eva Wilks.dig Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design---10.jpg
  • brevÃ¥pnere i lykkebein fra elg, Eva Wilks.dig Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---6.jpg
  • Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---2.jpg
  • Hanne-Lena Wilks i egen jakke laget av reinbelllinger (fotskinn) med minkbesetning.neg 800 Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---13.jpg
  • Eva Wilks i kjole laget av Hanne-Lena Wilks (vadmel og reinskinn).neg 800 Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---12.jpg
  • Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---10.jpg
  • Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j--.jpg
  • Hanne-Lena Wilks, kjole i nappa med fiskeskinn-besetning.provia Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---16.jpg
  • Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---15.jpg
  • Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design---2.jpg
  • Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---8.jpg
  • reimer og lykkebein fra rein, rypefjær, Eva Wilks.dig Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---7.jpg
  • Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---5.jpg
  • Hanne-Lena Wilks i egen jakke av bellinger og minkskinn.dig Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---4.jpg
  • Hanne-Lena Wilks i dres av garvet reinskinn.Saemien Sijte, SnÃ¥sa.neg 800 Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---14.jpg
  • Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    wilks_design_j---11.jpg
  • Creations made with reindeer skin or other kinds of leather and fur. Wilks Design is three sami sisters from Skæhkeren Sijte i Snåsa: Eva Anette, Hanne-Lena and Laila Gunilla Wilks.
    010611 Laila HanneL Eva.JPG
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011003.jpg
  • Mann i tradisjonell bekledning i skinn, ulveskinn, på Rørosmartnan.
    ulveskinn_rorosmartnan_trondelag.jpg
  • martna-2.jpg
  • wilks_design---94.jpg
  • wilks_design---93.jpg
  • wilks_design---9.jpg
  • wilks_design---8.jpg
  • wilks_design---5.jpg
  • wilks_design---49.jpg
  • wilks_design---44.jpg
  • wilks_design---40.jpg
  • wilks_design---4.jpg
  • wilks_design---3.jpg
  • wilks_design---24.jpg
  • skin_leg.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011025.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011023.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011017.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011013.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011011.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011009.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011007.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011004.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011001.jpg
  • Young reindeer
    pekkanaerps.jpg
  • Reindeer hides put on the ground to dry. Slaughtering season, Gåbrien Sijte, Brekken in Mid-Norway.
    slakting_stensaasen011.jpg
  • Reindeer hides put on the ground to dry. Slaughtering season, Gåbrien Sijte, Brekken in Mid-Norway.
    slakting_stensaasen010.jpg
  • Marking the reindeer calves. Mid-Norway. ..
    calfmarks70.jpg
  • Reindeer slaghtering by the sami group of Saanti Sijte/Essand in the mountains of Mid-Norway. The sami people traditionally use every part of the the animal. The marrow fra the leg bones are delicious food to the sami.
    slakthakrihkereps.jpg
  • søstrene Wilks med modeller etter visning på Snåsa hotell. Foran f.h. Hanne-Lena, Eva og Laila G. Wilks, Nils Ove Gustafsson..Bak f.v. Susanne Gælok Lyngman
    wilks_design---87.jpg
  • wilks_design---7.jpg
  • pung i smykker i perling, Hanne-Lena Wilks.dig
    wilks_design---34.jpg
  • Eva Wilks i skinndrakt av Hanne-Lena Wilks.dig
    wilks_design---30.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011024.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011022.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011021.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011010.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011008.jpg
  • The winter fair Rørosmartnan is a national event with approximately 75.000 visitors each year. The World Heritage site Røros forms a unique backdrop. As part of the opening ceremony over eighty equipages from Sweden, Østerdalen, Hedmark, Gauldalen and Tydal participate in a parade,  after travelling for up to 15 days in the old-fashioned manner with horse and sleighs.
    martna_2011002.jpg
  • Geitramsblomster ved nedre del av elva Nea i Selbu.
    nea_geitrams.jpg
  • Ishtarporten (Ischtar-Tor) var den åttende byporten til det indre Babylon, og ble oppført av Nebukadnesar II (605-562 f.Kr.). Har siden 1930 vært utstilt i Det forasiatiske museet i Pergamonmuseet i Berlin, der den ble rekonstruert med originalt materiale, inkludert portens fundament. <br />
Istarporten sto for enden av en prosesjonsgate i Babylon, hovedstaden i Babylonia, ved Eufrat i dagens Sentral-Irak. Gaten var omgitt av murer som ble bygget samtidig. Gaten var mellom 20 og 24 meter bred, ca. 250 meter lang og belagt med sten og teglsten. Prosesjonsgaten ble brukt av babylonerne for nyårsfestlighetene hver vår. Porten bevoktet inngangen til en 90 meter høy ziggurat med et Marduk-skrin. <br />
Murene var i likhet med selve porten kledd i hovedsakelig blå mosaikk med innslag av dyr — løver, tyrer og drager — i glasert tegl i gult og brunt. Løvene symboliserer gudinnen Istar (eller Isjtar), himmelens herskerinne, kjærlighetens gudinne og krigsmaktens beskytterinne. Den ormelignende dragen fremstiller Marduk (også kalt Bel), byens og fruktbarhetens gud som skjenket evig liv. De ville tyrene symboliserer værguden Adad. <br />
Oppdaget i slutten av det 19. århundre og tyske arkeologer foretok utgravninger mellom 1899 og 1914.  Pergamonmuseet (Pergamonmuseum) ligger på Museumsinsel i Berlin. Bygd 1910-1930. Omfatter antikksamlingen (gresk og romersk kunst og arkitektur), Det forasiatiske museet (Vorderasiatisches Museum) og Museet for islamsk kunst (Museum für Islamische Kunst). Besøkes av ca. 850 000 årlig. En hovedattraksjo er Pergamonalteret, gravd fram av tyske arkeologer fra oldtidsbyen Pergamon i Lilleasia og satte opp i Berlin. The Ishtar Gate was the eighth gate to the inner city of Babylon. It was constructed in about 575 BCE by order of King Nebuchadnezzar II on the north side of the city. It was excavated in the early 20th century and a reconstruction using original bricks. One of most complex and impressive architectural reconstructions in the history o
    ishtarporten_pergamonmuseet-3.jpg
  • An aurochs above a flower ribbon; missing tiles are replaced. Istarporten (Ischtar-Tor) var den åttende byporten til det indre Babylon, og ble oppført av Nebukadnesar II (605-562 f.Kr.). Har siden 1930 vært utstilt i Det forasiatiske museet i Pergamonmuseet i Berlin, der den ble rekonstruert med originalt materiale, inkludert portens fundament. <br />
Istarporten sto for enden av en prosesjonsgate i Babylon, hovedstaden i Babylonia, ved Eufrat i dagens Sentral-Irak. Gaten var omgitt av murer som ble bygget samtidig. Gaten var mellom 20 og 24 meter bred, ca. 250 meter lang og belagt med sten og teglsten. Prosesjonsgaten ble brukt av babylonerne for nyårsfestlighetene hver vår. Porten bevoktet inngangen til en 90 meter høy ziggurat med et Marduk-skrin. <br />
Murene var i likhet med selve porten kledd i hovedsakelig blå mosaikk med innslag av dyr — løver, tyrer og drager — i glasert tegl i gult og brunt. Løvene symboliserer gudinnen Istar (eller Isjtar), himmelens herskerinne, kjærlighetens gudinne og krigsmaktens beskytterinne. Den ormelignende dragen fremstiller Marduk (også kalt Bel), byens og fruktbarhetens gud som skjenket evig liv. De ville tyrene symboliserer værguden Adad. <br />
Oppdaget i slutten av det 19. århundre og tyske arkeologer foretok utgravninger mellom 1899 og 1914.  Pergamonmuseet (Pergamonmuseum) ligger på Museumsinsel i Berlin. Bygd 1910-1930. Omfatter antikksamlingen (gresk og romersk kunst og arkitektur), Det forasiatiske museet (Vorderasiatisches Museum) og Museet for islamsk kunst (Museum für Islamische Kunst). Besøkes av ca. 850 000 årlig. En hovedattraksjo er Pergamonalteret, gravd fram av tyske arkeologer fra oldtidsbyen Pergamon i Lilleasia og satte opp i Berlin. The Ishtar Gate was the eighth gate to the inner city of Babylon. It was constructed in about 575 BCE by order of King Nebuchadnezzar II on the north side of the city. It was excavated in the early 20th century and a reconstruction using original bricks. One of most complex
    ishtarporten_pergamonmuseet-2.jpg
  • Pergamonmuseet (Pergamonmuseum) ligger på Museumsinsel i Berlin. Bygd 1910-1930. Omfatter antikksamlingen (gresk og romersk kunst og arkitektur), Det forasiatiske museet (Vorderasiatisches Museum) og Museet for islamsk kunst (Museum für Islamische Kunst). Besøkes av ca. 850 000 årlig. En hovedattraksjo er Pergamonalteret, gravd fram av tyske arkeologer fra oldtidsbyen Pergamon i Lilleasia og satte opp i Berlin.
    berlin_museuminsel.jpg
  • Human–headed winged lion (lamassu), 883–859 b.c.; Neo–Assyrian period, reign of Ashurnasirpal II. Excavated at Nimrud (ancient Kalhu), northern Mesopotamia. Lamassu: an Assyrian protective deity, often depicted as having a human's head, a body of an ox or a lion, and bird's wings. In some writings, it is portrayed to represent a female deity. Large lamassu figures up to nearly 5 metres high are spectacular showpieces in Assyrian sculpture, where they are the largest figures known to have been made. In art, lamassu were depicted as hybrids, either winged bulls or lions with the head of a human male. The motif of a winged animal with a human head is common to the Near East, first recorded in Ebla around 3000 BCE. The first distinct lamassu motif appeared in Assyria during the reign of Tiglath-Pileser II as a symbol of power. Assyrian sculpture typically placed prominent pairs of lamassu at entrances in palaces, facing the street and also internal courtyards. Pergamon Museum, Berlin, Germany. Omtale av inskripsjonene; A close-up view of the “standard inscription of the Assyrian king Ashurnasirpal II.” A hand of an Apkallu (sage) appears on the right. This inscription narrates the king’s title and achievements and is repeated on almost all wall reliefs at the North-West palace. Neo-Assyrian era, 865-860 BCE. From the North-West palace at Nimrud (ancient Kalhu; biblical Calah), northern Mesopotamia, Iraq. Various artifacts from the Assyrian Empire. Pergamonmuseet (Pergamonmuseum) ligger på Museumsinsel i Berlin. Bygd 1910-1930. Omfatter antikksamlingen (gresk og romersk kunst og arkitektur), Det forasiatiske museet (Vorderasiatisches Museum) og Museet for islamsk kunst (Museum für Islamische Kunst). Besøkes av ca. 850 000 årlig. En hovedattraksjo er Pergamonalteret, gravd fram av tyske arkeologer fra oldtidsbyen Pergamon i Lilleasia og satte opp i Berlin.
    assyrisk_lamassu_pergamonmuseum.jpg
  • Pergamonmuseet (Pergamonmuseum) ligger på Museumsinsel i Berlin. Bygd 1910-1930. Omfatter antikksamlingen (gresk og romersk kunst og arkitektur), Det forasiatiske museet (Vorderasiatisches Museum) og Museet for islamsk kunst (Museum für Islamische Kunst). Besøkes av ca. 850 000 årlig. En hovedattraksjo er Pergamonalteret, gravd fram av tyske arkeologer fra oldtidsbyen Pergamon i Lilleasia og satte opp i Berlin.
    pergamonmuseum_museuminsel-2.jpg
  • Pergamonmuseet (Pergamonmuseum) ligger på Museumsinsel i Berlin. Bygd 1910-1930. Omfatter antikksamlingen (gresk og romersk kunst og arkitektur), Det forasiatiske museet (Vorderasiatisches Museum) og Museet for islamsk kunst (Museum für Islamische Kunst). Besøkes av ca. 850 000 årlig. En hovedattraksjo er Pergamonalteret, gravd fram av tyske arkeologer fra oldtidsbyen Pergamon i Lilleasia og satte opp i Berlin.
    pergamonmuseum_museuminsel.jpg
  • Istarporten (Ischtar-Tor) var den åttende byporten til det indre Babylon, og ble oppført av Nebukadnesar II (605-562 f.Kr.). Har siden 1930 vært utstilt i Det forasiatiske museet i Pergamonmuseet i Berlin, der den ble rekonstruert med originalt materiale, inkludert portens fundament. <br />
Istarporten sto for enden av en prosesjonsgate i Babylon, hovedstaden i Babylonia, ved Eufrat i dagens Sentral-Irak. Gaten var omgitt av murer som ble bygget samtidig. Gaten var mellom 20 og 24 meter bred, ca. 250 meter lang og belagt med sten og teglsten. Prosesjonsgaten ble brukt av babylonerne for nyårsfestlighetene hver vår. Porten bevoktet inngangen til en 90 meter høy ziggurat med et Marduk-skrin. <br />
Murene var i likhet med selve porten kledd i hovedsakelig blå mosaikk med innslag av dyr — løver, tyrer og drager — i glasert tegl i gult og brunt. Løvene symboliserer gudinnen Istar (eller Isjtar), himmelens herskerinne, kjærlighetens gudinne og krigsmaktens beskytterinne. Den ormelignende dragen fremstiller Marduk (også kalt Bel), byens og fruktbarhetens gud som skjenket evig liv. De ville tyrene symboliserer værguden Adad. <br />
Oppdaget i slutten av det 19. århundre og tyske arkeologer foretok utgravninger mellom 1899 og 1914.  Pergamonmuseet (Pergamonmuseum) ligger på Museumsinsel i Berlin. Bygd 1910-1930. Omfatter antikksamlingen (gresk og romersk kunst og arkitektur), Det forasiatiske museet (Vorderasiatisches Museum) og Museet for islamsk kunst (Museum für Islamische Kunst). Besøkes av ca. 850 000 årlig. En hovedattraksjo er Pergamonalteret, gravd fram av tyske arkeologer fra oldtidsbyen Pergamon i Lilleasia og satte opp i Berlin. The Ishtar Gate was the eighth gate to the inner city of Babylon. It was constructed in about 575 BCE by order of King Nebuchadnezzar II on the north side of the city. It was excavated in the early 20th century and a reconstruction using original bricks. One of most complex and impressive architectural reconstructions in the history of
    ishtarporten_pergamonmuseet-4.jpg
  • The Market Gate of Miletus (das Markttor von Milet) is a large marble monument in the Pergamon Museum in Berlin, Germany. It was built in Miletus in the 2nd century AD and destroyed in an earthquake in the 10th or 11th century. In the early 1900s, it was excavated, rebuilt, and placed on display in the museum. Only fragments had survived and reconstruction involved significant new material, a practice which generated criticism of the museum. The gate was damaged in World War II and underwent restoration in the 1950s. Further restoration work took place in the first decade of the 21st century. The gate is a large marble monument, about 30 meters wide, 16 meters tall, and 5 meters deep. The two-story structure has three doorways and a number of projections and niches. At roof level and in between the floors are ornate friezes with bull and flower reliefs. The structure's protruding pediments are supported by Corinthian and composite columns. The gate was built in the 2nd century AD, most likely during the reign of Emperor Hadrian about 120 to 130 AD. It replaced an existing Doric propylon and served as the northern entrance to the southern market, or agora, in Miletus, an ancient city. The gate underwent restoration in the 3rd century following damage from an earthquake. When Justinian strengthened the defenses of Miletus in 538, the gate was incorporated into the city walls. In the 10th or 11th century, an earthquake caused the gate to collapse. Pergamonmuseet (Pergamonmuseum) ligger på Museumsinsel i Berlin. Bygd 1910-1930. Omfatter antikksamlingen (gresk og romersk kunst og arkitektur), Det forasiatiske museet (Vorderasiatisches Museum) og Museet for islamsk kunst (Museum für Islamische Kunst). Besøkes av ca. 850 000 årlig. En hovedattraksjo er Pergamonalteret, gravd fram av tyske arkeologer fra oldtidsbyen Pergamon i Lilleasia og satte opp i Berlin.
    pergamonmuseum_berlin.jpg
  • The gate, being part of the Walls of Babylon, was considered one of the original Seven Wonders of the World. It was replaced on that list by the Lighthouse of Alexandria from the third century BC. Ishtarporten (Ischtar-Tor) var den åttende byporten til det indre Babylon, og ble oppført av Nebukadnesar II (605-562 f.Kr.). Har siden 1930 vært utstilt i Det forasiatiske museet i Pergamonmuseet i Berlin, der den ble rekonstruert med originalt materiale, inkludert portens fundament. <br />
Ishtarporten sto for enden av en prosesjonsgate i Babylon, hovedstaden i Babylonia, ved Eufrat i dagens Sentral-Irak. Gaten var omgitt av murer som ble bygget samtidig. Gaten var mellom 20 og 24 meter bred, ca. 250 meter lang og belagt med sten og teglsten. Prosesjonsgaten ble brukt av babylonerne for nyårsfestlighetene hver vår. Porten bevoktet inngangen til en 90 meter høy ziggurat med et Marduk-skrin. <br />
Murene var i likhet med selve porten kledd i hovedsakelig blå mosaikk med innslag av dyr — løver, tyrer og drager — i glasert tegl i gult og brunt. Løvene symboliserer gudinnen Istar (eller Isjtar), himmelens herskerinne, kjærlighetens gudinne og krigsmaktens beskytterinne. Den ormelignende dragen fremstiller Marduk (også kalt Bel), byens og fruktbarhetens gud som skjenket evig liv. De ville tyrene symboliserer værguden Adad. <br />
Oppdaget i slutten av det 19. århundre og tyske arkeologer foretok utgravninger mellom 1899 og 1914.  Pergamonmuseet (Pergamonmuseum) ligger på Museumsinsel i Berlin. Bygd 1910-1930. Omfatter antikksamlingen (gresk og romersk kunst og arkitektur), Det forasiatiske museet (Vorderasiatisches Museum) og Museet for islamsk kunst (Museum für Islamische Kunst). Besøkes av ca. 850 000 årlig. En hovedattraksjo er Pergamonalteret, gravd fram av tyske arkeologer fra oldtidsbyen Pergamon i Lilleasia og satte opp i Berlin. The Ishtar Gate was the eighth gate to the inner city of Babylon. It was constructed in about 575 BCE by order of King Nebuchadnezzar II o
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  • Eros. In Greek mythology the Greek god of love. His Roman counterpart was Cupid ("desire"). Some myths make him a primordial god, while in other myths, he is the son of Aphrodite. He was one of the winged love gods, Erotes. Kjærlighetsguder. The Market Gate of Miletus (das Markttor von Milet) is a large marble monument in the Pergamon Museum in Berlin, Germany. It was built in Miletus in the 2nd century AD and destroyed in an earthquake in the 10th or 11th century. In the early 1900s, it was excavated, rebuilt, and placed on display in the museum. Only fragments had survived and reconstruction involved significant new material, a practice which generated criticism of the museum. The gate was damaged in World War II and underwent restoration in the 1950s. Further restoration work took place in the first decade of the 21st century. The gate is a large marble monument, about 30 meters wide, 16 meters tall, and 5 meters deep. The two-story structure has three doorways and a number of projections and niches. At roof level and in between the floors are ornate friezes with bull and flower reliefs. The structure's protruding pediments are supported by Corinthian and composite columns. The gate was built in the 2nd century AD, most likely during the reign of Emperor Hadrian about 120 to 130 AD. It replaced an existing Doric propylon and served as the northern entrance to the southern market, or agora, in Miletus, an ancient city. The gate underwent restoration in the 3rd century following damage from an earthquake. When Justinian strengthened the defenses of Miletus in 538, the gate was incorporated into the city walls. In the 10th or 11th century, an earthquake caused the gate to collapse. Pergamonmuseet (Pergamonmuseum) ligger på Museumsinsel i Berlin. Bygd 1910-1930. Omfatter antikksamlingen (gresk og romersk kunst og arkitektur), Det forasiatiske museet (Vorderasiatisches Museum) og Museet for islamsk kunst (Museum für Islamische Kunst). Besøkes av ca. 850 000 årlig
    eros_pergamonmuseum.jpg
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